That Floating Excrement Was Far Too Symbolic! These Are the Television Letdowns of the Past Year.
Looking back, we consider the television offerings of the recent year, a handful of series emerge not for their excellence, but for their notable failures. Ranging from cringe-inducing sequels to bafflingly bad documentaries, here are the programmes that left us scratching our heads or just reaching for the remote.
And Just Like That
How to start with this love/hate spin-off? Burdened with dreadful writing, painful arcs (justice for Miranda!), and a paltry 71 seconds of beloved Samantha, the series struggled to justify its existence. Briefly, as the third series started, it seemed as if it had at last found its groove. Then came an episode all about Seema’s natural deodorant. No wonder the creator announced this would be the final series. It concluded on a bum note; the closeup of Miranda’s loo flooded with poo was just way too on-the-nose. Yet, viewers undeniably had a hoot dissecting every single “what on earth?” episode. And as Carrie – once again single – danced around her palatial townhouse to Barry White, who couldn't release a little sob?
All’s Fair
‘Can Kim Kardashian act? Of course she can’t.’
But that was practically the smallest of this drama's issues. The subject of a exceedingly uncommon no-star review, it was difficult to know where to start listing the flaws. The hilariously wooden dialogue? The mind-numbing glorification of affluence and consumption? The seemingly wilful parade of tropes? Performances so poor they felt borderline malicious? Let’s just say “each and every one” and forget about this show again. However, a second season has been ordered, so we’re likely going to have to.
The Charlie Sheen Documentary
Considering the restraining orders, domestic violence claims and parental failures, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d really have known it from this multi-part documentary which smirked its way at Sheen’s various episodes of self-destructive hedonism while struggling to tell us a single thing we didn’t already know. Rather, it felt as if this volatile personality was being pandered to, so any pity this series might evoke should be reserved for the people who have had to endure proximity with this charismatic but dismissive egotist.
The Supercomputer Drama
Of course we knew it was ridiculous from the outset: a drama about a supercomputer known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of pure admiration for its stars … but by the end, it felt like even they had given up trying. One scarcely cared when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. Talk about giving up the ghost.
MobLand
Shady figures meeting in empty boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and wants its crime drama back.
Actually, that is unfair on the gangland dramas of the late 90s. Many look a bit old-fashioned now, but at least they didn’t endure the embarrassment of having to indulge baffling dialects. But there were plenty of other issues. Mainly that it was just profoundly dull; a dispute over drug-selling territory between various cockney picaresques which seemed rather simplistic.
The Meghan Markle Series
Considering the degree to which she grinds the gears of the nation’s ostentatiously angry commentators, it’s almost tempting to admire the Duchess of Sussex’s various forays into twee homemaking as intentional statements. But then you view them and are forced to admit that actually, they may have a point. It’s like watching a lifestyle magazine come to life; a meme for evening drinks with delusions of grandeur; a procession of snoozing dogs, humming beehives, Hallmark platitudes and forgettable crafting “hacks” you’ll forget instantly. All supported by vast, largely undeserved wealth. Ugh.
Victoria Beckham
There are clearly fascinating things to be discussed about both Victoria Beckham and her struggles with vocation, self-image, self-worth. But for whatever reason, this three-part series chose not to explore them. Rather, the viewing was like consuming a sales catalogue. She obviously has good reason to resent what she describes as her “miserable cow” image. But unfortunately, she failed to do herself any favours with this cagey non-event of a series.
The Game Show
It had the potential to be the next big hit – except even camper, with a famous star as a deceased benefactor and a sharp-tongued personality managing her estate. What more could you ask for? As players competed, there was plenty of betrayal and arguing. But the rules quickly became incomprehensible: it’s even now too confusing to detail what precisely was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The show ended up reeking of a production that was trying way too hard to emulate something way beyond it.
The Lena Dunham Romcom
How do you follow a show that defined a generation? The expectation was enormous for this glitzy romantic comedy about Jessica, a hopeful New Yorker who arrives in London with a broken heart. The lead actress seized the opportunity by the horns and was a delight to watch, reveling in Jane Austen levels of romantic notions. But it was all very slick and, ironically, was insufficient. Plus, the sheer amount of famous friends involved felt uncomfortable.
Mitchell & Webb Are Not Helping
Not good enough to be ‘uneven’.
Given the shrewd inclusion of talented younger comics, expectations were high. But unhappily, most of it fell flat. A particular sketch was a one-note joke milked to a dry pulp but repeated in every episode. One star seemed too ready to slip into a familiar ranting mode. The behind-the-scenes sketches, in contrast, simply inspired the thought that they should probably have stayed in there a while longer.
The Knox Dramatisation
This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely showcased the viewpoint of Amanda Knox. So, while there probably is an interesting drama to be made about the horrific 2007 murder, this was not it. The material needed to be treated with care. Rather, the series laboured awkwardly to find the right voice, lurching from oddly breezy, somewhat mannered farce to ultimately, real-life horror. Complex? Perhaps. A complete mess? Very much so.
The Maths Genius Thriller
We admire the lead actor … but did we buy him playing the greatest maths genius since, a man so intelligent he’s on the verge of a breakthrough that could destabilise society? No! This international thriller about secret services targeting – and eliminating – intellectuals frankly got more farcical by the second. Silliness-by-numbers.
1000 Men and Me: The Bonnie Blue Story
This hagiography followed the content creator renowned for sexual exploits as she prepared for her most extreme challenge yet. What on earth would motivate her? What we wanted was far greater interrogation of her actual psychology, plus those of the men in the queue. They could at least have interviewed the legendary mum who appeared to drag her son away from the queue. What we got was horrific shots and zero critical analysis of her notoriety whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.